I am writing, as I promised, to share about the Saturn Returns process. As we gear up for our shoot in June I’ve been learning so much!
One of the things I most want to share has to do with the idea of team. Now, you probably know that I spend a lot of time talking about team building and leadership in my various classes and coaching. Today I want to talk about something a little different. To borrow from Hilary Clinton and the Nigerian Igbo culture, I want to talk about the idea that a project (or your career) “takes a village.”
You might have heard me talk about the idea that nothing of any scope or magnitude in life happens alone. We can’t even procreate by ourselves, right? Yet, this business can be extraordinarily isolating if we’re not careful. We write alone. We go to auditions alone. We sit at our desks making calls or sending emails alone. When we get to be a part of a group making something, it’s often short and fleeting, preceded and followed by a lot of work all by ourselves.
When it comes to Saturn Returns I’ve found myself using the phrase “it takes a village to make a film like this” over and over again. And while that, in and of itself, has not been a big surprise, what that actually looks like and really means, practically speaking, has been surprising to me. Here’s what I mean…
It takes a village, and you have to love the village. A lot of actors I meet tell me “I just want to act.” A lot of writers I meet tell me, “I just want to write.” Ditto with directors, sound mixers, wardrobe stylists, you name it.
We feel we have a calling. There’s something that we love doing and we’re good at it. If only all this other junk would just go away, we’d be so much happier and fulfilled. We come to resent all this other stuff we have to do. All the people we have to meet, the calls we have to make, the events we have to go to, the hustling we have to do. Ugh. When does it all end?
This is the village I’m talking about. This is the village we have to love. It would be so easy for me to resent how long it’s taken to raise the money for Saturn Returns, the number of meetings I’ve had that have gone nowhere, the number of people who’ve told me they’ll invest and then backed out, and on and on. But one of the things that I’ve come to learn is that the village is every bit as much a part of making Saturn Returns as the actual filmmaking. They go hand in hand. There’s an idea that you can be a filmmaker without all of this other stuff, but, frankly, I think it’s a myth. At least in this day and age. And the sooner we kiss the myth of the pure filmmaker or pure artist, actor or writer good-bye, the better. It’s like kissing the myth of Prince Charming good-bye. Hard but so freeing once we do it.
So, my lesson is love your village the way you love your art. You can’t have one without the other. It can be hard to love your village, I know. But, truth be told, some days it can be hard to love your art, right? Your village and your art demand a lot out of you. But it’s in the service of something important, something extraordinary, something you’ve dedicated your life to doing.
Gotta love the Village.